zimmerman claire mies van der rohe 1886 1969 the structure of space
Zimmerman Claire Mies van der Rohe 1886-1969. The Structure of Space
Less is more: finding perfection in purity Ludwig Mies van der Rohe (1886–1969) was one of the founding fathers of modern architecture, and creator of the Barcelona Pavilion (1929), the Farnsworth House in Plano, Illinois (1945–1951) and the Seagram Building in New York (1954–1958). Famed for his motto "less is more," Mies sought a refined purity in architectural expression that was missing from the vocabulary of his Bauhaus peers. He aimed to build for those of modest income while also building economically and sustainably, both in technical and esthetic terms; the use of industrial materials such as steel and glass were the foundation of this approach. Though his stark forms and modern materials provoked some criticism, over the years many have tried—most unsuccessfully—to copy his original and elegant style. This book explores more than 20 of his projects between 1906 and 1967, from his early work around Berlin to his most important American buildings.
1012 Руб.
Zimmerman Claire Mies Van Der Rohe
Ludwig Mies van der Rohe (1886-1969) was one of the founding fathers of modern architecture. The creator of the Barcelona Pavilion (1929), the Farnsworth House in Plano, Illinois (1945-1951) and the Seagram Building in New York (1954-1958), Mies was one of the founders of a new architectural style. Well known for his motto "less is more," he sought a kind of refined purity in architectural expression that was not seen in the reduced vocabulary of other Bauhaus members. His goal was not simply building for those of modest income but building economically in terms of sustainability, both in a technical and aesthetical way; the use of industrial materials such as steel and glass were the foundation of this approach. Though the extreme reduction of form and material in his work garnered some criticism, over the years many have tried-mostly unsuccessfully-to copy his original and elegant style. This book explores more than 20 of his projects between 1906 and 1967, from his early work around Berlin to his most important American buildings. Издание на английском языке.
828 Руб.
Zimmerman Claire Mies van der Rohe
Perfektion im Purismus Er pragte das Motto „weniger ist mehr“ – Ludwig Mies van der Rohe (1886–1969) war einer der Grundervater der modernen Architektur und beeinflusste die Asthetik des Stadtebaus im 20. Jahrhundert ma?geblich, wenn auch nicht immer unumstritten. Mies van der Rohe propagierte auf der Suche nach einer elementaren Wahrheit reine Formen und Proportionen. Anhand von moderner Technologie und neuesten Materialien konzipierte er Bauwerke von puristischer Schlichtheit wie zum Beispiel das Seagram Building oder Farnsworth House. Seine Kritiker wandten ein, dass dieser extreme Ansatz monotone und kaum voneinander unterscheidbare Stadtbilder hervorbringen wurde, wahrend andere in ihm den Meister einer eleganten Essenz sahen. Dieser Band stellt uber 20 von Mies van der Rohes Projekten aus der Zeit zwischen 1906 und 1967 vor und beleuchtet seine bahnbrechenden Ideen sowie seinen Einfluss in Amerika und Europa.
4735 Руб.
Neumeyer Fritz The Lost Last Words of Mies van der Rohe. The Lohan Tapes from 1969
The German-American architect Dirk Lohan began to record his conversations with his grandfather Ludwig Mies van der Rohe in the summer of 1969. The tapes, recorded during the final weeks of Mies’s life, captured some of the architect’s very last words. They were sent to the Mies van der Rohe Archive of the Museum of Modern Art in New York after his death, though they went missing under unknown circumstances. Only an incomplete typescript remains as a testimony to the conversations. The Lost, Last Words of Mies van der Rohe presents this text in its entirety for the very first time. The conversations relayed in the typescript reveal the famously reticent Mies speaking about his own life with a level of detail, precision, and candour found nowhere else. They shed new light on Mies’s character – not only as a serious, philosophical man but also as a human being alive to the humorous aspects of life. This book features a foreword by Dirk Lohan and an introductory essay by Fritz Neumeyer, one of the world’s most eminent scholars on Mies. Neumeyer’s commentary and analysis provide keen insights into how Mies developed his architectural thinking during his early career, on his way to becoming one of the most important modern architects of the twentieth century.
1609 Руб.
Montes Cristina Furniture Design
Discover on 400 pages more than 750 photos of the best furniture design world wide in one single edition. Classics from Philippe Starck, Ludwig Mies van der Rohe and Le Corbusier as well as works from todays top-designers. Rich information about the history of furniture and design. Addresses and web sites of designers and manufacturers. Text in English, German, French, Spanish.
833 Руб.
Jodidio Philip White Houses
Devoted to all-white houses, this book celebrates the ever- popular "non-color" as a perfect backdrop for contemporary lifestyles Sometimes seen as an absence of color, white in fact reflects the purity of the entire spectrum. In the history of design, white houses often embody the bright, clean clarity associated with twentieth-century giants Le Corbusier, Ludwig Mies van der Rohe, and Richard Meier. White Houses presents the most striking, innovative, and unusual white houses by contemporary architects, spanning the globe from Asia to the Americas. The featured houses represent every scale and a wide range of locations and terrains, from seaside retreats to space-saving urban homes and grand country residences. From radical new takes on traditional building forms in Latin America to state-of-the-art urban projects in Europe and Japan, each house employs the apparent simplicity of white to reflect light and accent materiality, pressing the frontiers of form to the point of abstraction. No longer an anonymous box, the contemporary white house is the embodiment of the architectural archetype, reinterpreted and refreshed. 260 illustrations
2779 Руб.
Sam Lubell. Mid-Century Modern Architecture Travel Guide
A curated list of more than 250 must-see destinations organized geographically from Maine to FloridaFeaturing architecture by some of the biggest Mid-Century names, including Mies van der Rohe, Marcel Breuer, Eero Saarinen, and Philip Johnson, each of the more than 250 buildings is located on a regional map. The book includes all the additional information needed to find and visit each building.Its cool and functional design makes this book a coveted Modernist-style object in itself.Including icons from The Met Breuer to the fabulous beach houses of Fire Island, private homes in Connecticut, Manhattan skyscrapers, and the Tropical Modern residences of Sarasota, Florida, it is a must-have guide to one of the most fertile and lesser-known regions for the development of Mid-Century Modern architecture.
5990 Руб.
Black. Architecture in Monochrome
A stunning journey through the world's most dramatic and inspiring black architecture - now in a cool, compact new format In this sleek, stylish and easy-to-use new size, Black: Architecture in Monochrome highlights the exquisite elegance of black in the built world through more than 150 structures. From ancient churches to contemporary skyscrapers, Black demonstrates how hues from ebony to onyx have been beloved by architects for centuries. Insightful texts paired with striking photography bring to life these captivating buildings including works by Mies van der Rohe, Philip Johnson, David Adjaye, Jean Nouvel, Peter Marino, and Steven Holl.
3499 Руб.
Axel Tilch. Bauhaus Architecture
Now available in an expanded and revised edition, this book contains an outstanding collection of photographs by the renowned architectural photographer Hans Engels and provides a detailed survey of surviving Bauhaus architecture in Europe.Focusing on buildings designed by Bauhaus members from 1919 to 1933, this book features some 65 famous and lesser-known building projects in Germany, Vienna, Barcelona, Prague, and Budapest by architects including Walter Gropius, Marcel Breuer, and Ludwig Mies van der Rohe. Arranged chronologically, Bauhaus Architecture offers informative commentary and site plans along with photographs, taken especially for this book. Engels' photographs show many buildings in their newly restored conditions and reflect the full range of Bauhaus architecture, one of the most influential schools of architecture in the twentieth century.
5990 Руб.
Lupfer Gilbert Gropius
Walter Gropius, visionary of the Bauhaus and beyond Walter Gropius (1883–1969) set out to build for the future. As the founding director of the Bauhaus, the Berlin-born architect had an inestimable influence on our aesthetic environment, championing a bold new hybrid of light, geometry, and industrial design, as dazzling today as it was a century ago. In this essential architect introduction, we survey Gropius’ evolution and influence with 20 of his most significant projects, from the Bauhaus Building in Dessau, Germany, to the Chicago Tribune Tower and Harvard University Graduate Center, completed after Gropius’s exodus to the United States in 1937. We explore his role both as an architectural practitioner, and as a writer and educator, not only as a Bauhaus pioneer, but also, along with Ludwig Mies van der Rohe, as a leading proponent of the International Style. Along the way, we see how many of Gropius’s tenets remain benchmarks for architects, designers, and urbanists today. Whether in his emphasis on a functional beauty or his interest in housing and city planning, Gropius astounds in the agility of his thinking as much as in the luminous precision of his work.
2409 Руб.
Gilbert Lupfer. Gropius
Walter Gropius (1883–1969) set out to build for the future. As the founding director of the Bauhaus, the Berlin-born architect had an inestimable influence on our aesthetic environment, championing a bold new hybrid of light, geometry, and industrial design, as dazzling today as it was a century ago.In this essential architect introduction, we survey the evolution and influence of a 20th-century visionary with 20 of his most significant projects, from the Bauhaus Building in Dessau, Germany, to the Chicago Tribune Tower and Harvard University Graduate Center, completed after Gropius's exodus to the United States in 1937. We explore his role both as an architectural practitioner, and as a writer and educator, not only as a Bauhaus pioneer, but also, along with Ludwig Mies van der Rohe, as a leading proponent of the International Style.Along the way, we see how many of Gropius's tenets remain benchmarks for architects, designers, and urbanists today. Whether in his emphasis on a functional beauty or his interest in housing and city planning, Gropius astounds in the agility of his thinking as much as in the luminous precision of his work.
2250 Руб.
Люпфер Г., Сигел П. Walter Gropius: 1883-1969: the Promoter of a New Form
Walter Gropius (1883–1969) set out to build for the future. As the founding director of the Bauhaus, the Berlin-born architect had an inestimable influence on our aesthetic environment, championing a bold new hybrid of light, geometry, and industrial design, as dazzling today as it was a century ago.In this essential architect introduction, we survey Gropius’ evolution and influence with 20 of his most significant projects, from the Bauhaus Building in Dessau, Germany, to the Chicago Tribune Tower and Harvard University Graduate Center, completed after Gropius’s exodus to the United States in 1937. We explore his role both as an architectural practitioner, and as a writer and educator, not only as a Bauhaus pioneer, but also, along with Ludwig Mies van der Rohe, as a leading proponent of the International Style.Along the way, we see how many of Gropius’s tenets remain benchmarks for architects, designers, and urbanists today. Whether in his emphasis on a functional beauty or his interest in housing and city planning, Gropius astounds in the agility of his thinking as much as in the luminous precision of his work.
2007 Руб.
Люпфер Г., Сигел П. Walter Gropius: 1883-1969: the Promoter of a New Form
Walter Gropius (1883–1969) set out to build for the future. As the founding director of the Bauhaus, the Berlin-born architect had an inestimable influence on our aesthetic environment, championing a bold new hybrid of light, geometry, and industrial design, as dazzling today as it was a century ago.In this essential architect introduction, we survey Gropius’ evolution and influence with 20 of his most significant projects, from the Bauhaus Building in Dessau, Germany, to the Chicago Tribune Tower and Harvard University Graduate Center, completed after Gropius’s exodus to the United States in 1937. We explore his role both as an architectural practitioner, and as a writer and educator, not only as a Bauhaus pioneer, but also, along with Ludwig Mies van der Rohe, as a leading proponent of the International Style.Along the way, we see how many of Gropius’s tenets remain benchmarks for architects, designers, and urbanists today. Whether in his emphasis on a functional beauty or his interest in housing and city planning, Gropius astounds in the agility of his thinking as much as in the luminous precision of his work.
2007 Руб.
Gossel Peter, Droste Magdalena Bauhaus
In a fleeting fourteen year period, sandwiched between two world wars, Germany's Bauhaus school of art and design changed the face of modernity. With utopian ideals for the future, the school developed a pioneering fusion of fine art, craftsmanship, and technology to be applied across painting, sculpture, design, architecture, film, photography, textiles, ceramics, theatre, and installation. As much an intense personal community as a publicly minded collective, the Bauhaus was first founded by Walter Gropius (1883-1969), and counted Josef and Anni Albers, Wassily Kandinsky, Paul Klee, Oskar Schlemmer, Gunta Stoelzl, Marianne Brandt and Ludwig Mies van der Rohe among its members. Between its three successive locations in Weimar, Dessau and Berlin, the school fostered charismatic and creative exchange between teachers and students, all varied in their artistic styles and preferences, but united in their idealism and their interest in a "total" work of art across different practices and media. This book celebrates the adventurous innovation of the Bauhaus movement, both as a trailblazer in the development of modernism, and as a paradigm of art education, where an all-encompassing freedom of creative expression and cutting-edge ideas led to functional and beautiful creations.
3168 Руб.
Magdalena Droste. Bauhaus
Designs of the time: The most famous art school of modernity. In a fleeting fourteen year period, sandwiched between two world wars, Germany's Bauhaus school of art and design changed the face of modernity. With utopian ideals for the future, the school developed a pioneering fusion of fine art, craftsmanship, and technology to be applied across painting, sculpture, design, architecture, film, photography, textiles, ceramics, theatre, and installation. As much an intense personal community as a publicly minded collective, the Bauhaus was first founded by Walter Gropius (1883–1969), and counted Josef and Anni Albers, Wassily Kandinsky, Paul Klee, Oskar Schlemmer,Gunta Stölzl, Marianne Brandt and Ludwig Mies van der Rohe among its members. Between its three successive locations in Weimar, Dessau and Berlin, the school fostered charistmatic and creative exchange between teachers and students, all varied in their artistic styles and preferences, but united in their idealism and their interest in a “total" work of art across different practices and media. This book celebrates the adventurous innovation of the Bauhaus movement, both as a trailblazer in the development of modernism, and as a paradigm of art education, where an all-encompassing freedom of creative expression and cutting-edge ideas led to functional and beautiful creations.
2450 Руб.
Droste M. Bauhaus
Designs of the time: The most famous art school of modernity.In a fleeting fourteen year period, sandwiched between two world wars, Germany's Bauhaus school of art and design changed the face of modernity. With utopian ideals for the future, the school developed a pioneering fusion of fine art, craftsmanship, and technology to be applied across painting, sculpture, design, architecture, film, photography, textiles, ceramics, theatre, and installation.As much an intense personal community as a publicly minded collective, the Bauhaus was first founded by Walter Gropius (1883–1969), and counted Josef and Anni Albers, Wassily Kandinsky, Paul Klee, Oskar Schlemmer,Gunta Stolzl, Marianne Brandt and Ludwig Mies van der Rohe among its members. Between its three successive locations in Weimar, Dessau and Berlin, the school fostered charistmatic and creative exchange between teachers and students, all varied in their artistic styles and preferences, but united in their idealism and their interest in a “total" work of art across different practices and media.This book celebrates the adventurous innovation of the Bauhaus movement, both as a trailblazer in the development of modernism, and as a paradigm of art education, where an all-encompassing freedom of creative expression and cutting-edge ideas led to functional and beautiful creations.
3149 Руб.