spampinato f wiedemann ed j art record covers 40th anniversary edition
Spampinato F., Wiedemann ED.J. Art record covers. 40th anniversary edition
This unique anthology of artists’ record covers, from the 1950s to today includes more than 450 covers, tracing the interaction between music and the visual arts. Featured covers include Salvador Dali’s skewered butterfly for Jackie Gleason and Banksy’s stenciled graffiti for Blur.Since the dawn of modernism, visual and music production have had a particularly intimate relationship. From Luigi Russolo’s 1913 Futurist manifesto L’Arte dei Rumori (The Art of Noise) to Marcel Duchamp’s 1925 double-sided discs Rotoreliefs, the 20th century saw ever more fertile exchange between sounds and shapes, marks and melodies, and different fields of composition and performance. In Francesco Spampinato’s unique anthology of artists’ record covers, we discover the rhythm of this particular cultural history. The book presents 450 covers and records by visual artists from the 1950s through to today, exploring how modernism, Pop Art, Conceptual Art, postmodernism, and various forms of contemporary art practice have all informed this collateral field of visual production and supported the mass distribution of music with defining imagery that swiftly and suggestively evokes an aural encounter. Along the way, we find Jean-Michel Basquiat’s urban hieroglyphs for his own Tartown record label, Banksy’s stenciled graffiti for Blur, and a skewered Salvador Dali butterfly on Jackie Gleason’s Lonesome Echo. There are insightful analyses and fact sheets alongside the covers listing the artist, performer, album name, label, year of release, and information on the original artwork. Interviews with Tauba Auerbach, Shepard Fairey, Kim Gordon, Christian Marclay, Albert Oehlen, and Raymond Pettibon add personal accounts on the collaborative relationship between artists and musicians.
5139 Руб.
Spampinato F., Wiedemann ED.J. Art record covers. 40th anniversary edition
This unique anthology of artists’ record covers, from the 1950s to today includes more than 450 covers, tracing the interaction between music and the visual arts. Featured covers include Salvador Dali’s skewered butterfly for Jackie Gleason and Banksy’s stenciled graffiti for Blur.Since the dawn of modernism, visual and music production have had a particularly intimate relationship. From Luigi Russolo’s 1913 Futurist manifesto L’Arte dei Rumori (The Art of Noise) to Marcel Duchamp’s 1925 double-sided discs Rotoreliefs, the 20th century saw ever more fertile exchange between sounds and shapes, marks and melodies, and different fields of composition and performance. In Francesco Spampinato’s unique anthology of artists’ record covers, we discover the rhythm of this particular cultural history. The book presents 450 covers and records by visual artists from the 1950s through to today, exploring how modernism, Pop Art, Conceptual Art, postmodernism, and various forms of contemporary art practice have all informed this collateral field of visual production and supported the mass distribution of music with defining imagery that swiftly and suggestively evokes an aural encounter. Along the way, we find Jean-Michel Basquiat’s urban hieroglyphs for his own Tartown record label, Banksy’s stenciled graffiti for Blur, and a skewered Salvador Dali butterfly on Jackie Gleason’s Lonesome Echo. There are insightful analyses and fact sheets alongside the covers listing the artist, performer, album name, label, year of release, and information on the original artwork. Interviews with Tauba Auerbach, Shepard Fairey, Kim Gordon, Christian Marclay, Albert Oehlen, and Raymond Pettibon add personal accounts on the collaborative relationship between artists and musicians.
5139 Руб.
Francesco Spampinato. Art Record Covers
An unprecedented collection of artists record covers from the 1950s to today. Since the dawn of modernism, visual and music production have had a particularly intimate relationship. From Luigi Russolo s 1913 Futurist manifesto L Arte dei Rumori (The Art of Noise) to Marcel Duchamp s 1925 double-sided discs Rotereliefs, the 20th century saw ever more fertile exchange between sounds and shapes, marks and melodies, and different fields of composition and performance. In Francesco Spampinato unique anthology of artists record covers, we discover the rhythm of this particular cultural history. The book presents 500 covers and records by visual artists from the 1950s through to today, exploring how modernism, Pop Art, Conceptual Art, postmodernism, and various forms of contemporary art practice have all informed this collateral field of visual production and supported the mass distribution of music with defining imagery that swiftly and suggestively evokes an aural encounter. Along the way, we find Jean-Michel Basquiat s urban hieroglyphs for his own Tartown record label, Banksy s stenciled graffiti for Blur, Damien Hirst s synecdoche skull for The Hours, and a skewered Salvador Dalí butterfly on Jackie Gleason s Lonesome Echo. There are insightful analyses and fact sheets alongside the covers listing the artist, performer, album name, label, year of release, and information on the original artwork. Interviews with Tauba Auerbach, Shepard Fairey, Kim Gordon, Christian Marclay, Albert Oehlen, and Raymond Pettibon add personal accounts on the collaborative relationship between artists and musicians.
8590 Руб.
Julius Wiedemann. Art Record Covers
Беспрецедентная коллекция обложек пластинок артистов с 1950-х годов до наших дней. На заре модернизма визуальное и музыкальное производство имели особенно тесную связь. От футуристического манифеста Луиджи Руссоло 1913 года L'Arte dei Rumori («Искусство шума») до двусторонних дисков Марселя Дюшана 1925 года «Роторельефы» 20-й век стал свидетелем еще более плодотворного обмена между звуками и формами, знаками и мелодиями, а также различными областями композиции и производительность. В уникальной антологии обложек пластинок художников Франческо Спампинато мы обнаруживаем ритм этой особой культурной истории.В книге представлены 450 обложек и записей художников с 1950-х годов до наших дней, в которых исследуется, как модернизм, поп-арт, концептуальное искусство, постмодернизм и различные формы современного искусства повлияли на эту побочную область визуального производства и поддержали массовое распространение. музыки с определяющими образами, которые быстро и многозначительно вызывают слуховую встречу. По пути мы находим городские иероглифы Жана-Мишеля Баскии для его собственного лейбла Tartown, трафаретные граффити Бэнкси для Blur и бабочку Сальвадора Дали на вертеле в фильме Джеки Глисона «Одинокое эхо». Наряду с обложками есть проницательный анализ и информационные бюллетени с указанием исполнителя, исполнителя, названия альбома, лейбла, года выпуска и информации об оригинальном оформлении. Интервью с Таубой Ауэрбах, Шепардом Фейри, Ким Гордон, Кристианом Марклеем, Альбертом Оленом и Рэймондом Петтибоном добавляют личные отчеты о совместных отношениях между артистами и музыкантами.An unprecedented collection of artists’ record covers from the 1950s to today. Since the dawn of modernism, visual and music production have had a particularly intimate relationship. From Luigi Russolo’s 1913 Futurist manifesto L’Arte dei Rumori (The Art of Noise) to Marcel Duchamp’s 1925 double-sided discs Rotoreliefs, the 20th century saw ever more fertile exchange between sounds and shapes, marks and melodies, and different fields of composition and performance. In Francesco Spampinato’s unique anthology of artists’ record covers, we discover the rhythm of this particular cultural history. The book presents 450 covers and records by visual artists from the 1950s through to today, exploring how modernism, Pop Art, Conceptual Art, postmodernism, and various forms of contemporary art practice have all informed this collateral field of visual production and supported the mass distribution of music with defining imagery that swiftly and suggestively evokes an aural encounter. Along the way, we find Jean-Michel Basquiat’s urban hieroglyphs for his own Tartown record label, Banksy’s stenciled graffiti for Blur, and a skewered Salvador Dalí butterfly on Jackie Gleason’s Lonesome Echo. There are insightful analyses and fact sheets alongside the covers listing the artist, performer, album name, label, year of release, and information on the original artwork....
4150 Руб.
Madonna Виниловая пластинка Madonna Everybody
Состояние носителя: S. Состояние конверта: S. Everybody. Виниловая пластинка . 12", 45 RPM, Record Store Day, Single, Limited Edition, Reissue, Remastered, 180g, 40th Anniversary Collector’s Edition A Everybody 5:56 B Everybody (Dub Version) 9:23 Тип носителя: Виниловая пластинка
4680 Руб.
Stampinato Francesco, Wiedemann Julius Art Record Covers
Since the dawn of modernism, visual and music production have had a particularly intimate relationship. From Luigi Russolo's 1913 Futurist manifesto L'Arte dei Rumori (The Art of Noise) to Marcel Duchamp's 1925 double-sided discs Rotoreliefs, the 20th century saw ever more fertile exchange between sounds and shapes, marks and melodies, and different fields of composition and performance. In Francesco Spampinato's unique anthology of artists' record covers, we discover the rhythm of this particular cultural history. The book presents 450 covers and records by visual artists from the 1950s through to today, exploring how modernism, Pop Art, Conceptual Art, postmodernism, and various forms of contemporary art practice have all informed this collateral field of visual production and supported the mass distribution of music with defining imagery that swiftly and suggestively evokes an aural encounter. Along the way, we find Jean-Michel Basquiat's urban hieroglyphs for his own Tartown record label, Banksy's stenciled graffiti for Blur, and a skewered Salvador Dali butterfly on Jackie Gleason's Lonesome Echo. There are insightful analyses and fact sheets alongside the covers listing the artist, performer, album name, label, year of release, and information on the original artwork. Interviews with Tauba Auerbach, Shepard Fairey, Kim Gordon, Christian Marclay, Albert Oehlen, and Raymond Pettibon add personal accounts on the collaborative relationship between artists and musicians.
3676 Руб.
Michael Ochs. 1000 Record Covers
Record covers are a sign of our life and times. Like the music on the discs, they address such issues as love, life, death, fashion, and rebellion. For music fans the covers are the expression of a period, of a particular time in their lives. Many are works of art and have become as famous as the music they stand for — Andy Warhol's covers, for example, including the banana he designed for The Velvet Underground.This edition of Record Covers presents a selection of the best rock album covers of the 60s to 90s from music archivist, disc jockey, journalist, and former record-publicity executive Michael Ochs's enormous private collection. Both a trip down memory lane and a study in the evolution of cover art, this is a sweeping look at an underappreciated art form.
2748 Руб.
Squier - 40 лет Jazzmaster, золотое издание - 40th Anniversary Jazzmaster, Edition
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Электрогитара Squier - 40th Anniversary - Stratocaster Electric Guitar - Vintage Edition - Maple Fingerboard - Black Anodized Pickguard - Satin Wide 2-Color Sunburst
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Электрогитара Squier 40th Anniversary Jazzmaster Vintage Edition - Satin Sea Foam Green
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