Elected the architectural book of the year by the International Artbook and Film Festival in Perpignan, France, Frederic Chaubin's Cosmic Communist Constructions Photographed explores 90 buildings in 14 former Soviet Republics. Each of these structures expresses what Chaubin considers the fourth age of Soviet architecture, an unknown burgeoning that took place from 1970 until 1990. Contrary to the 1920s and 1950s, no "school" or main trend emerges here. These buildings represent a chaotic impulse brought about by a decaying system. Taking advantage of the collapsing monolithic structure, architects went far beyond modernism, going back to the roots or freely innovating. Some of the daring ones completed projects that the Constructivists would have dreamt of (Druzhba Sanatorium, Yalta), others expressed their imagination in an expressionist way (Palace of Weddings, Tbilisi). A summer camp, inspired by sketches of a prototype lunar base, lays claim to Suprematist influence (Prometheus youth camp, Bogatyr). Then comes the "speaking architecture" widespread in the last years of the USSR: a crematorium adorned with concrete flames (Crematorium, Kiev), a technological institute with a flying saucer crashed on the roof (Institute of Scientific Research, Kiev), a political center watching you like Big Brother (House of Soviets, Kaliningrad). In their puzzle of styles, their outlandish strategies, these buildings are extraordinary remnants of a collapsing system.In their diversity and local exoticism, they testify both to the vast geography of the USSR and its encroaching end of the Soviet Union, the holes in a widening net. At the same time, they immortalize many of the ideological dreams of the country and its time, from an obsession with the cosmos to the rebirth of identity.
6312 Руб.
Elected the architectural book of the year by the International Artbook and Film Festival in Perpignan, France, Frеdеric Chaubin's Cosmic Communist Constructions Photographed explores 90 buildings in 14 former Soviet Republics. Each of these structures expresses what Chaubin considers the fourth age of Soviet architecture, an unknown burgeoning that took place from 1970 until 1990. Contrary to the 1920s and 1950s, no "school" or main trend emerges here. These buildings represent a chaotic impulse brought about by a decaying system. Taking advantage of the collapsing monolithic structure, architects went far beyond modernism, going back to the roots or freely innovating. Some of the daring ones completed projects that the Constructivists would have dreamt of (Druzhba Sanatorium, Yalta), others expressed their imagination in an expressionist way (Palace of Weddings, Tbilisi). A summer camp, inspired by sketches of a prototype lunar base, lays claim to Suprematist influence (Prometheus youth camp, Bogatyr). Then comes the "speaking architecture" widespread in the last years of the USSR: a crematorium adorned with concrete flames (Crematorium, Kiev), a technological institute with a flying saucer crashed on the roof (Institute of Scientific Research, Kiev), a political center watching you like Big Brother (House of Soviets, Kaliningrad). In their puzzle of styles, their outlandish strategies, these buildings are extraordinary remnants of a collapsing system.In their diversity and local exoticism, they testify both to the vast geography of the USSR and its encroaching end of the Soviet Union, the holes in a widening net. At the same time, they immortalize many of the ideological dreams of the country and its time, from an obsession with the cosmos to the rebirth of identity.
3821 Руб.
A photographic record of 90 weird and wonderful buildings from the last decades of the USSR Photographer Frederic Chaubin reveals 90 buildings sited in fourteen former Soviet Republics which express what he considers to be the fourth age of Soviet architecture. His poetic pictures reveal an unexpected rebirth of imagination, an unknown burgeoning that took place from 1970 until 1990. Contrary to the 1920s and 1950s, no "school" or main trend emerges here. These buildings represent a chaotic impulse brought about by a decaying system. Their diversity announced the end of the Soviet Union. Taking advantage of the collapsing monolithic structure, the holes in the widening net, architects went far beyond modernism, going back to the roots or freely innovating. Some of the daring ones completed projects that the Constructivists would have dreamt of (Druzhba Sanatorium, Yalta), others expressed their imagination in an expressionist way (Palace of Weddings, Tbilisi). A summer camp, inspired by sketches of a prototype lunar base, lays claim to Suprematist influence (Prometheus youth camp, Bogatyr). Then comes the "speaking architecture" widespread in the last years of the USSR: a crematorium adorned with concrete flames (Crematorium, Kiev), a technological institute with a flying saucer crashed on the roof (Institute of Scientific Research, Kiev), a political center watching you like Big Brother (House of Soviets, Kaliningrad). This puzzle of styles testifies to all the ideological dreams of the period, from the obsession with the cosmos to the rebirth of identity. It also outlines the geography of the USSR, showing how local influences made their exotic twists before the country was brought to its end. Frederic Chaubin's Cosmic Communist Constructions Photographed is elected best book on architecture of the year by the International Artbook and Film Festival in Perpignan/France (Festival International du Livre d'Art & du Film Perpignan). The photographer: Frederic Chaubin has been, for the last fifteen years, editor-in-chief of the French lifestyle magazine Citizen K. Since 2000 he has regularly featured works combining text and photography. The CCCP collection research was carried out from 2003 to 2010, through an intuitive and creative travel process. This project has been shown throughout the world, from Japan to the United States.
11848 Руб.
Фотограф Фредерик Шобен показывает 90 зданий, расположенных в четырнадцати бывших советских республиках, которые отражают то, что он считает четвертой эпохой советской архитектуры. В его поэтических картинах обнаруживается неожиданное возрождение воображения, небывалый расцвет, имевший место с 1970 по 1990 год. В отличие от 1920-х и 1950-х годов здесь не возникает никакой «школы» или основного направления. Эти здания представляют собой хаотический импульс, вызванный разлагающейся системой. Их разнообразие предвещало конец Советского Союза. Пользуясь рушащейся монолитной конструкцией, дырами в расширяющейся сети, архитекторы вышли далеко за пределы модернизма, возвращаясь к истокам или свободно внедряя инновации. О чем мечтали конструктивисты (санаторий «Дружба», Ялта), другие выражали свою фантазию в экспрессионистской манере (Дворец бракосочетаний, Тбилиси), летний лагерь, вдохновленный эскизами прототипа лунной базы, претендует на супрематическое влияние (молодежный лагерь «Прометей» , Богатырь).Затем идет распространенная в последние годы СССР «говорящая архитектура»: крематорий, украшенный бетонным пламенем (Крематорий, Киев), техноло гический институт с разбившейся на крыше летающей тарелкой (НИИ, Киев), политический центр, наблюдающий за вами как Большой Брат (Дом Советов, Калининград). Эта головоломка стилей свидетельствует обо всех идеологических мечтах того периода, от одержимости космосом до возрождения идентичности. В нем также описывается география СССР, показывая, как местные влияния сделали свои экзотические повороты, прежде чем страна была доведена до конца.Книга Фредерика Шобена «Космические коммунистические конструкции в фотографиях» была выбрана лучшей книгой по архитектуре 2010 года на Международном фестивале артбуков и фильмов в Перпиньян/Франция (Международный фестиваль художественной литературы и кино в Перпиньяне).Photographer Frédéric Chaubin reveals 90 buildings sited in fourteen former Soviet Republics which express what he considers to be the fourth age of Soviet architecture. His poetic pictures reveal an unexpected rebirth of imagination, an unknown burgeoning that took place from 1970 until 1990. Contrary to the 1920s and 1950s, no “school" or main trend emerges here. These buildings represent a chaotic impulse brought about by a decaying system. Their diversity announced the end of the Soviet Union.Taking advantage of the collapsing monolithic structure, the holes in the widening net, architects went far beyond modernism, going back to the roots or freely innovating. Some of the daring ones completed projects that the Constructivists would have dreamt of (Druzhba Sanatorium, Yalta), others expressed their imagination in an expressionist way (Palace of Weddings, Tbilisi). A summer camp, inspired by sketches of a prototype lunar base, lays claim to Suprematist influence (Prometheus youth camp, Bogatyr). Then comes the "speaking architecture" widespread in the last years of the USSR: a crematorium...
7400 Руб.
Elected the architectural book of the year by the International Artbook and Film Festival in Perpignan, France, Frеdеric Chaubin's Cosmic Communist Constructions Photographed explores 90 buildings in 14 former Soviet Republics. Each of these structures expresses what Chaubin considers the fourth age of Soviet architecture, an unknown burgeoning that took place from 1970 until 1990.Contrary to the 1920s and 1950s, no "school" or main trend emerges here. These buildings represent a chaotic impulse brought about by a decaying system. Taking advantage of the collapsing monolithic structure, architects went far beyond modernism, going back to the roots or freely innovating. Some of the daring ones completed projects that the Constructivists would have dreamt of (Druzhba Sanatorium, Yalta), others expressed their imagination in an expressionist way (Palace of Weddings, Tbilisi). A summer camp, inspired by sketches of a prototype lunar base, lays claim to Suprematist influence (Prometheus youth camp, Bogatyr). Then comes the "speaking architecture" widespread in the last years of the USSR: a crematorium adorned with concrete flames (Crematorium, Kiev), a technological institute with a flying saucer crashed on the roof (Institute of Scientific Research, Kiev), a political center watching you like Big Brother (House of Soviets, Kaliningrad).In their puzzle of styles, their outlandish strategies, these buildings are extraordinary remnants of a collapsing system.In their diversity and local exoticism, they testify both to the vast geography of the USSR and its encroaching end of the Soviet Union, the holes in a widening net. At the same time, they immortalize many of the ideological dreams of the country and its time, from an obsession with the cosmos to the rebirth of identity.
5352 Руб.
Elected the architectural book of the year by the International Artbook and Film Festival in Perpignan, France, Frеdеric Chaubin's Cosmic Communist Constructions Photographed explores 90 buildings in 14 former Soviet Republics. Each of these structures expresses what Chaubin considers the fourth age of Soviet architecture, an unknown burgeoning that took place from 1970 until 1990.Contrary to the 1920s and 1950s, no "school" or main trend emerges here. These buildings represent a chaotic impulse brought about by a decaying system. Taking advantage of the collapsing monolithic structure, architects went far beyond modernism, going back to the roots or freely innovating. Some of the daring ones completed projects that the Constructivists would have dreamt of (Druzhba Sanatorium, Yalta), others expressed their imagination in an expressionist way (Palace of Weddings, Tbilisi). A summer camp, inspired by sketches of a prototype lunar base, lays claim to Suprematist influence (Prometheus youth camp, Bogatyr). Then comes the "speaking architecture" widespread in the last years of the USSR: a crematorium adorned with concrete flames (Crematorium, Kiev), a technological institute with a flying saucer crashed on the roof (Institute of Scientific Research, Kiev), a political center watching you like Big Brother (House of Soviets, Kaliningrad).In their puzzle of styles, their outlandish strategies, these buildings are extraordinary remnants of a collapsing system.In their diversity and local exoticism, they testify both to the vast geography of the USSR and its encroaching end of the Soviet Union, the holes in a widening net. At the same time, they immortalize many of the ideological dreams of the country and its time, from an obsession with the cosmos to the rebirth of identity.
5352 Руб.
Elected the architectural book of the year by the International Artbook and Film Festival in Perpignan, France, Frederic Chaubin's Cosmic Communist Constructions Photographed explores 90 buildings in 14 former Soviet Republics. Each of these structures expresses what Chaubin considers the fourth age of Soviet architecture, an unknown burgeoning that took place from 1970 until 1990.Contrary to the 1920s and 1950s, no "school" or main trend emerges here. These buildings represent a chaotic impulse brought about by a decaying system. Taking advantage of the collapsing monolithic structure, architects went far beyond modernism, going back to the roots or freely innovating. Some of the daring ones completed projects that the Constructivists would have dreamt of (Druzhba Sanatorium, Yalta), others expressed their imagination in an expressionist way (Palace of Weddings, Tbilisi). A summer camp, inspired by sketches of a prototype lunar base, lays claim to Suprematist influence (Prometheus youth camp, Bogatyr). Then comes the "speaking architecture" widespread in the last years of the USSR: a crematorium adorned with concrete flames (Crematorium, Kiev), a technological institute with a flying saucer crashed on the roof (Institute of Scientific Research, Kiev), a political center watching you like Big Brother (House of Soviets, Kaliningrad).In their puzzle of styles, their outlandish strategies, these buildings are extraordinary remnants of a collapsing system.In their diversity and local exoticism, they testify both to the vast geography of the USSR and its encroaching end of the Soviet Union, the holes in a widening net. At the same time, they immortalize many of the ideological dreams of the country and its time, from an obsession with the cosmos to the rebirth of identity.
4858 Руб.
Elected the architectural book of the year by the International Artbook and Film Festival in Perpignan, France, Frederic Chaubin's Cosmic Communist Constructions Photographed explores 90 buildings in 14 former Soviet Republics. Each of these structures expresses what Chaubin considers the fourth age of Soviet architecture, an unknown burgeoning that took place from 1970 until 1990.Contrary to the 1920s and 1950s, no "school" or main trend emerges here. These buildings represent a chaotic impulse brought about by a decaying system. Taking advantage of the collapsing monolithic structure, architects went far beyond modernism, going back to the roots or freely innovating. Some of the daring ones completed projects that the Constructivists would have dreamt of (Druzhba Sanatorium, Yalta), others expressed their imagination in an expressionist way (Palace of Weddings, Tbilisi). A summer camp, inspired by sketches of a prototype lunar base, lays claim to Suprematist influence (Prometheus youth camp, Bogatyr). Then comes the "speaking architecture" widespread in the last years of the USSR: a crematorium adorned with concrete flames (Crematorium, Kiev), a technological institute with a flying saucer crashed on the roof (Institute of Scientific Research, Kiev), a political center watching you like Big Brother (House of Soviets, Kaliningrad).In their puzzle of styles, their outlandish strategies, these buildings are extraordinary remnants of a collapsing system.In their diversity and local exoticism, they testify both to the vast geography of the USSR and its encroaching end of the Soviet Union, the holes in a widening net. At the same time, they immortalize many of the ideological dreams of the country and its time, from an obsession with the cosmos to the rebirth of identity.
4858 Руб.
Castles and fortresses of medieval Europe Follow photographer Frederic Chaubin as he embarks on a unique, century-spanning journey through Europe. Featuring images of more than 200 buildings in 21 countries, Stone Age presents the history and architecture of the most dramatic medieval castles of the continent in an unprecedented collection. Building on the success of his foray into Soviet design with CCCP, Chaubin once again documents the afterlife of highly rational structures that seem out of place in a modern-day world. Precursors of Brutalism, these castles value function over form and epitomize the raw materials and shapes that would go on to define so much of architectural history. Shot on film with a Linhof view camera, the collection is the outcome of five years of travel and investigation. Complete with a practical map and explanatory essay, its castles tell the story of 400 years, unfolding through the feudal Middle Ages into the 15th century. A photographic study of decay as much as endurance, Stone Age traces the history of some of these singular structures that continue to enchant their audiences today and that occupy a distinct, mystical place in our collective imagination.
12623 Руб.
Сборник классической музыки.Список музыкальных треков:Frederic Chopin: Polonaise. No.1 In C Sharp MinorFrederic Chopin: Polonaise. No. 2 In E Flat MinorFrederic Chopin: Polonaise. No. 3 In A MajorFrederic Chopin: Polonaise. No. 4 In C MinorFrederic Chopin: Polonaise. No. 5 In F Sharp MinorFrederic Chopin: Polonaise. No.6 In A Flat MajorFrederic Chopin: Piano Sonata No. 3 In B Minor. I. Allegro MaestosoFrederic Chopin: Piano Sonata No. 3 In B Minor. II. Scherzo. Molto VivaceFrederic Chopin: Piano Sonata No. 3 In B Minor. III. LargoFrederic Chopin: Piano Sonata No. 3 In B Minor. IV. Finale. Presto, Non Tanto.
440 Руб.
Спортивный костюм мужской CCCP голубой: стиль и комфортСпортивный костюм мужской CCCP выполнен из 100% полиэстера, что обеспечивает тепло и комфорт в прохладную погоду. Толстовка на молнии с удобными карманами позволяет легко сочетать ее с различными элементами гардероба.Вышивка на костюме не сотрется и не потеряет свой вид даже после многочисленных стирок.Спортивный костюм мужской CCCP подойдет для прогулок, спорта, поездок, путешествий и повседневной носки.Выбирая спортивный костюм мужской CCCP, вы получаете стильный, комфортный и качественный костюм, который станет незаменимым элементом вашего гардероба.
3000 Руб.
The second novel from Anna Burns, critically acclaimed author of the Man Booker winning novel, Milkman An irate woman bursts into the best gun shop in the town of Tiptoe Floorboard, helps herself to a Kalashnikov rifle and sets off in a taxi on her mission of retribution. So begins this kaleidoscopic, surreal and enigmatic tale of dark deeds in a small town. At the centre of Anna Burns’s startling new novel lies the Doe clan, a closely knit family of criminals and victims whose internal conflicts and convoluted relationships propel this simultaneously funny and terrifying story. Bound together by love and loyalty, fear and secrets, the Does and other inhabitants of Tiptoe Floorboard make up an unforgettable cast of characters. In a voice that is by turns chilling and wickedly funny, the narrator documents their struggle to make and maintain connections with each other, and – weaving back and forth in time – examines what transpires when unspeakable realities, long pushed from consciousness, begin to break through. Anna Burns’s first novel ‘No Bones’ was shortlisted for the Orange Prize. This second work secures her reputation as a writer of mesmerising originality and rare talent.
2524 Руб.
Frederic Malle Парфюмерная вода Promise 10мл
8000 Руб.
Frederic Malle Туалетная вода Outrageous 100мл
31000 Руб.
Frederic Malle Парфюмерная вода Promise 100мл
39200 Руб.
Nowadays stage designs reach proportions that by far exceed the classical definition of a stage as we know it from theater. Modern stage environments require increasingly more effort in terms of architecture and technology. For example LED screens of all shapes and sizes are becoming more important than ever, especially in the field of concert or television productions. Those two fields as well as musical, concert, opera and theater productions are documented in this volume photographed by Ralph Larmann. Among the 30 top productions are Disney's Lion King Tosca in the Snow Red Hot Chili Peppers - Stadium Arcadium Robbie Williams - Close Encounters Echo 2007 Pop Idol 2006 - Finals SkyArena Frankfurt. All the projects provide a look behind the scenes and a detailed insight into the complex stage constructions. Beside this, a short text gives some backround information about the place and time of the production, the making of and the responsible creatives as well as involved enterprises and institutions. Text in english, german, spanish, french, italian.
4876 Руб.
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