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Ekhtiar Maryam D. How to Read Islamic Calligraphy

An accessible introduction to the quintessential art form of the Islamic world How to Read Islamic Calligraphy explores the preeminence of the written word as a means of creative expression throughout the Islamic world. Aimed at a general audience, the book introduces all five major Islamic calligraphic script types, demonstrates their distinctive visual characteristics, and explains the various contexts in which each one came to be used, whether for transcribing the Qur'an, composing poetry, or issuing written edicts from the sultan's court. Numerous examples illustrate how the transmission of these styles and techniques from master to pupil was fundamental to the flourishing of Islamic calligraphy, and handwriting models from as early as the 10th century continue to inspire students of calligraphy today. Superbly illustrated, the works discussed include manuscripts, glass, metalware, and ceramic tiles. This accessible and engaging book traces the progression of calligraphic styles over centuries and across geographical regions, affirming the spectacular range of creative possibilities afforded by this unique art form.

Hillenbrand Robert Islamic Art and Architecture

Embracing over a thousand years of history and an area stretching from the Atlantic to the borders of India and China, this is an unrivalled synthesis of the arts of Islamic civilization. From the death of the Prophet Muhammad to the present day, Robert Hillenbrand traces the evolution of an extraordinary range of art forms, including architecture, calligraphy, book illumination, painting, ceramics, glassware, textiles and metalwork. New to this edition is a chapter ranging from c. 1700 to c. 1900, a period very often neglected in books on this subject. Hillenbrand explores how recent centuries, far from being a dark age, saw extraordinary artistic ferment and creativity across the Islamic world. Throughout, full-colour illustrations of masterpieces of Islamic art and architecture - from Moorish Spain to modern Iran - show the far-reaching stylistic developments as well as the recurrent preoccupations that have shaped the arts of Islam since the seventh century. New edition.

Blair Sheila S., Bloom Jonathan M. Prisse d'Avennes, Arab Art

Adventures in Arabia A compendium of 19th century Islamic art and architecture Emile Prisse d'Avennes (1807-1879), a French Orientalist, author and artist, was one of the greatest pre-20th century Egyptologists. An ardent admirer of the superb skills of Egyptian and Oriental artisans, he was enamored of Arabic art. As a youth he dreamed of exploring the Orient, and at 19 began travelling to Greece and Palestine. Over the next 40 years he explored Syria, Arabia, Persia, and resided in Egypt and Algeria. Converting to Islam, he travelled Egypt disguised as an Arab, using the name Edris Effendi. A student of ancient Egyptian and Islamic cultures, he later wrote: "We shall discuss all the arts, all the industries cultivated by Orientals with so much taste, brilliance, and fantasy. We will present splendid reproductions of the monuments, objects of art and luxury, which provide evidence of an advanced civilization, the influence of which has been felt even in Europe." In 1848/1851 Prisse d'Avennes published his Oriental Album in London (Oriental Album. Characters, Costumes, and Modes of Life, the Valley of the Nile). This brilliant collection of 32 chromolithographs illustrating the people and costumes of the Nile Valley was accompanied by a commentary by renowned Orientalist and Egyptologist James Augustus St. John. After again travelling to North Africa, Prisse d'Avennes returned to France in 1860, bearing the fruits of his journeys-hundreds of folio drawings, photographs, sketches, plans and 400 meters of bas-reliefs. Fascinated by the symmetry, complexity, and opulence of Egyptian and Arabic art, he drew from this vast collection to create compilations of the finest examples of art and architecture, which also took into account historical, social, and religious contexts. In 1877, he published his outstanding survey on Islamic art and architecture, Arab Art (L'Art arabe d'apres les monuments du Kaire, 1869-1877), in Paris. This publication reproduces the three atlas volumes containing 200 plates-137 of them magnificent chromolithographs-mainly by Prisse d'Avennes. L'Art arabe is an indispensable compendium on the development of Arabic art, portraying its splendor and diversity, and a work of supreme draftsmanship. The author: Sheila S. Blair and Jonathan M. Bloom are a husband-and-wife team of teachers and writers on virtually all aspects of Islamic art and architecture. They share both the Norma Jean Calderwood University Professorship of Islamic and Asian Art at Boston College and the Hamad bin Khalifa Endowed Chair of Islamic Art at Virginia Commonwealth University. Together and singly they have written or edited a score of books and hundreds of articles on subjects ranging from the Dome of the Rock to modern calligraphy. Most recently they edited Rivers of Paradise: Water in Islamic Art and Culture. Издание на английском, французском и немецком языках.

Hagedorn Annette Islamic Art

The art which arose from the 7th century in the Islamic empires reached from Spain and Morocco to the borders of China. It bore the stamp above all of Arabs, Persians and Turks, but outstanding contributions also came from Egypt and India. "Islamic Art" presents prominent examples: luxury ceramics, prayer mats, goldsmithery, as well as witnesses to the decorative arts and calligraphy - and above all the masterpieces of the splendidly colourful courtly book illumination of Persia and the Mughal emperors of India. The book examines the contributions of the different countries and how they influenced each other, and in this way vividly illustrates the unfolding of the delicate splendour and fairytale beauty of Islamic art from its beginnings into the modern era. About the editor: Norbert Wolf gratuated in art history, linguistics and medieval studies at the universities of Regensburg and Munich, and earned his PhD in 1983. He held visiting professorships in Marburg, Frankfurt, Leipzig, Dusseldorf, Nuremberg-Erlangen, and Innsbruck. His extensive writings on art history include many TASCHEN titles, such as Diego Velazquez, Ernst Ludwig Kirchner, Caspar David Friedrich, Expressionism, Romanesque, Landscape Painting. About the author: Annette Hagedorn studied the history of oriental art, German literature, and art history at the universities of Bonn and Mainz. She has held part-time teaching posts at the universities of Bonn, Mainz and Utrecht. In 1991 she was awarded the Alice-Boner-Memorial Prize from the Alice Boner Foundation in Zurich for her dissertation on Islamic metalwork in the 13th and 14th centuries. Since 2000 she has been co-editor, responsible for art history and archaeology, of the journal Zeitschrift der Deutschen Morgenlandischen Gesellschaft. Издание на английском языке.

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The Islam Book

This comprehensive, accessible, and authenticated guide to Islam is essential to understanding the world’s fastest-growing religion. This essential guide to Islam covers every aspect of the Muslim faith and its history - from the life of the Prophet Muhammad and the teachings of the Koran to Islam in the 21st century. Celebrating the scientific, literary, and artistic achievements of the Islamic Golden Age and the ideas of philosophers and theologians across the centuries, it opens a window on the Islamic world. Clear factual writing offers insight into terms like Sharia law, the Caliphate, and jihad; Sunni and Shia divisions; and Sufi poetry and music. Images of Islamic art, architecture, calligraphy, and historical artefacts illustrate the articles while the Big Ideas’ trademark infographics and flowcharts explore and explain the central tenets of Islam, such as prayer, fasting, and pilgrimage. Modern issues such as fundamentalism are discussed in context alongside the work of peaceful traditionalists, modernizers, and women’s rights campaigners, among others. Packed with inspiring quotations and bold illustrations, The Islam Book is an invaluable source of information both for members of one of the world’s major religions and readers looking for a clear unbiased guide to the meaning of this faith.

The Islam Book

This comprehensive, accessible, and authenticated guide to Islam is essential to understanding the world’s fastest-growing religion. This essential guide to Islam covers every aspect of the Muslim faith and its history - from the life of the Prophet Muhammad and the teachings of the Koran to Islam in the 21st century. Celebrating the scientific, literary, and artistic achievements of the Islamic Golden Age and the ideas of philosophers and theologians across the centuries, it opens a window on the Islamic world. Clear factual writing offers insight into terms like Sharia law, the Caliphate, and jihad; Sunni and Shia divisions; and Sufi poetry and music. Images of Islamic art, architecture, calligraphy, and historical artefacts illustrate the articles while the Big Ideas’ trademark infographics and flowcharts explore and explain the central tenets of Islam, such as prayer, fasting, and pilgrimage. Modern issues such as fundamentalism are discussed in context alongside the work of peaceful traditionalists, modernizers, and women’s rights campaigners, among others. Packed with inspiring quotations and bold illustrations, The Islam Book is an invaluable source of information both for members of one of the world’s major religions and readers looking for a clear unbiased guide to the meaning of this faith.

Arts & Crafts of the Islamic Lands. Principles. Materials. Practice

This book celebrates the thriving world of Islamic arts and crafts, as well as presenting the rich cultural, philosophical and historical heritage that contemporary artists and craftspeople still draw on today. Based on decades of research and expertise, and written by tutors at The Prince's School of Traditional Arts, one of the world's leading schools for the study of the traditional crafts of the East and West, it provides unparalleled access to a glorious range of methods, materials and skills. The book is organized into three chapters. The first explores the fundamental principles of Islamic arts and crafts: geometry, islimi and calligraphy. The second introduces widely used materials and tools, including pigments, gesso panels, gilding equipment, brushes, pens and paper. The third provides fully illustrated step-by-step guides to the crafting of artefacts and artworks, including Kufic calligraphy, plaster carving, Mughal and Persian miniature painting, parquetry, ceramics, mosaic and glassblowing. The history and significance of the techniques and materials used are explained, accompanied by numerous illustrations of masterworks found throughout the Islamic world. This comprehensive and accessible volume, packed with over 1,000 images, connects cultural history with modern practice. It is a vital reference and practical resource for craftspeople, artists and students from all backgrounds who seek to engage with the Islamic world.

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Barrucand Marianne Moorish Architecture in Andalusia

Spain owes its special historical position in Europe very largely to his intensive encounter with the Orient. In the summer of 710, a small force under the command of a Berber named Tarif ibn Malik landed to the west of Gibraltar. The Islamic armies that followed in its wake succeeded in conquering large areas of Spain within a short span of years. The conquerors gave the country the name of "al-andalus." Thus began a period of cultural permeation that was to last for almost 800 years. In spite of intolerance and animosity, there developed between Muslims, Christians, and Jews a shared cultural environment that proved the basis for great achievements. Moorish-Andalusian art and architecture combine elements of various traditions into a new, autonomous style. Among the outstanding architectural witnesses to this achievement are the Great Mosque in Cordova and the Alhambra in Granada, recognized and admired as part of the world's heitage right up to the present day. They are described in detail in this book. The main centres of Hispano-Islamic art and architecture, the cities of Cordova, Seville and Granada, are discussed within the chronological framework of developments, both political and cultural, from 710 to 1492. The author traces the changes in architectural forms over the centuries, and concludes with an attempt to identify those enduring characteristics which run like a thread through Hispano-Islamic architecture, for all the different influences to which it was subject. Alongside mosques, castle ruins, and splendid palaces, the reader will find detailed photographs of Moorish decorative art in all its thousand and one variations. Литература на английском языке.

Educational Prayer Mat for kids With Touch Buttons Interactive Prayer Mat, Salah Mat for kids

【FOLDABLE DESIGN】: The folding prayer carpet has glossy appearance, comfortable to use, foldable design, easy to carry. Touch Sensitive Praying Carpet】The interactive prayer mat is touch sensitive and has pre-recorded keys that can be touched to reveal the sound, such as prayer times, how to do wudu, recite surahs, say duas, and much more. 【Exquisite Design】Exquisite design and color ensure its religious character, prayer carpet can also be used as a rug at home, with a good decorative effect. 【BE A GIFT】 Muslim Prayer Rug Islamic Gifts Prayer Rug Thick Muslim Prayer Rugs for Men, Women and Kids. It can be great gift for your loved ones. Used for meditation mat and worship.

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