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Wheatley Abigail Art Gallery Sticker Book

Wheatley Abigail Art Gallery Sticker Book

Пр-во:

Take a tour of this Art Gallery and fill it with all sorts of artworks – from paintings, prints and photographs to carvings, sculptures and modern art. Explore behind the scenes, then stock the gift shop with books, toys and other tempting wares. Includes Usborne Quicklinks to specially selected websites where you can tour real art galleries and see famous paintings up close.

1075 Руб.

Paget R. Hokusai

Paget R. Hokusai

Пр-во:

The Old Man Mad about Painting.Hokusai, the master who unleashed a tsunami on the art world.Meet the artist whose majestic breaking wave sent ripples across the world. Katsushika Hokusai (1760-1849) is not only one of the giants of Japanese art and a legend of the Edo period, but also a founding father of Western modernism, whose prolific gamut of prints, illustrations, paintings, and beyond forms one of the most comprehensive oeuvres of ukiyo-e art and a benchmark of japonisme. His influence spread through Impressionism, Art Nouveau, Jugendstil, and beyond, enrapturing the likes of Claude Monet (who bought 23 of his prints), Berthe Morisot, Edgar Degas, Mary Cassatt, and Vincent van Gogh.Hokusai was always a man on the move. He changed domicile more than 90 times during his lifetime and changed his own name through at least seven professional pseudonyms. In his art, he adopted the same restlessness, covering the complete spectrum of Japanese ukiyo-e ("pictures of the floating world") practice in painting and woodblock, from single-sheet prints of landscapes and actors to erotic books, album prints, illustrations for verse anthologies and historical novels, and surimono, which were privately issued prints for special occasions.Hokusai's print series Thirty-Six Views of Mount Fuji, published between 1826 and 1833 is the artist's most renowned work and, with its soaring peak through different seasons and from different vantage points, marked the towering summit of the Japanese landscape print. The series' The Great Wave off Kanagawa, also known simply as The Great Wave, is one of the most recognized images of Japanese art in the world.

3149 Руб.

Paget R. Hokusai

Paget R. Hokusai

Пр-во:

The Old Man Mad about Painting.Hokusai, the master who unleashed a tsunami on the art world.Meet the artist whose majestic breaking wave sent ripples across the world. Katsushika Hokusai (1760-1849) is not only one of the giants of Japanese art and a legend of the Edo period, but also a founding father of Western modernism, whose prolific gamut of prints, illustrations, paintings, and beyond forms one of the most comprehensive oeuvres of ukiyo-e art and a benchmark of japonisme. His influence spread through Impressionism, Art Nouveau, Jugendstil, and beyond, enrapturing the likes of Claude Monet (who bought 23 of his prints), Berthe Morisot, Edgar Degas, Mary Cassatt, and Vincent van Gogh.Hokusai was always a man on the move. He changed domicile more than 90 times during his lifetime and changed his own name through at least seven professional pseudonyms. In his art, he adopted the same restlessness, covering the complete spectrum of Japanese ukiyo-e ("pictures of the floating world") practice in painting and woodblock, from single-sheet prints of landscapes and actors to erotic books, album prints, illustrations for verse anthologies and historical novels, and surimono, which were privately issued prints for special occasions.Hokusai's print series Thirty-Six Views of Mount Fuji, published between 1826 and 1833 is the artist's most renowned work and, with its soaring peak through different seasons and from different vantage points, marked the towering summit of the Japanese landscape print. The series' The Great Wave off Kanagawa, also known simply as The Great Wave, is one of the most recognized images of Japanese art in the world.

3149 Руб.

Posters of the Revolutionary Era

Posters of the Revolutionary Era

Пр-во:

This Russian Museum exhibition catalogue publishes much more than the anthologized propaganda posters of other survey books. The curators and authors have selected works that show how the propaganda poster evolved as an independent genre both in subject and style. The earliest examples follow the conventions of popular prints (lubki) and folk tale imagery of the tsarist period - images often tell a story with satirical and grotesque depictions of enemies. Prevalent in the early examples is a realism akin to nineteenth- and early twentieth-century art. In the early 1920s a more modern and spare form of poster art drew on experiments of the avant-garde to create new styles.

1996 Руб.

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